Like Neutron 2 ( review here), Ozone 8 comes in several versions to cater to different price points and applications for artists and engineers. Ozone is the premiere mastering software, with a bundle of plugins that can even venture into mixing applications. Ozone 8 was released two years ago and since then, we’ve seen some excellent updates to Nectar and Neutron, so it’s (let’s be honest) unsurprising that iZotope has released a new version of its mastering plug-in suite.The Ozone mastering suite has been through many iterations. Ozone 9 once again features a range of cutting-edge software tools that incorporate source separation, spectral processing, inter-plug-in communication and machine learning, but do the new features and modules make for worthy additions to an already well-rounded product? Mega modules #Compare izotope ozone 8 versus ozone 9 software# Loading up Ozone 9 Advanced in Logic for the first time will scan for 17 new Audio Units(!), so prepare for your iZotope sub-folder to grow significantly once again.
This includes the main plug-in and its component modules, including the new Master Rebalance and Low End Focus modules, plus the Match EQ as its own plug-in and the Relay and Tonal Balance v2 tools. There’s also the standalone version for those that want to master outside the DAW. I’ve been using Ozone since version 3 and it’s been reviewed in these pages many times over the years, so I’ll keep the synopsis brief and skip to the new and exciting bits.
Ozone 9 is available in Elements, Standard and Advanced versions, with the latter including some extra features, modules and break-out component plug-ins.Īs with previous updates, some of the older modules including the Vintage EQ, Compressor, Limiter and Tape have now been made available in the Standard package, making it an even more appealing proposition.
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